The storyteller thy name is Kalki!

I devoured the entire volume of Kalki's "Sivagamiyin Sabatham" when I was 11 years old. There are chequer-board of characters and how lucidly the author connects them in the plot, shows his class.

The amazing Mahendra Pallavan, who dons several disguises, the prominent one being Vajrabahu, is the real super hero. He simply overwhelms the innocent Paranjothi, on his mission to save him and the kingdom from the poison spitting Naganandhi, the brother of King Pulakesi. Of every move of Naganandhi, Vajrabahu is one ahead. This elaborate historical story is narrated with a penchant for finer tastes, involving elaborate and intricate descriptions of art, culture, architecture and in general, life during the period.

There is the ethereally beautiful Sivagami, who is in love with Mahendra Pallava's son, Narasimha Pallava, without knowing his real identity. Sivagami, a dancer with a divine gift, is the daughter of Aayana Sirpi, a famous sculptor. Obviously, it turns out to be one sordid saga of a love affair with little chance for success.

Ofcourse it is a very long story and I just wish to recollect the events which affected me as a eleven year old..

The thrilling disguise games of Mahendra Pallava that made me sit on the edge of my seat.

The magnificient and well researched descriptions of the art, culture and the architecture of Kanchi and other ancient towns, which literally transported me to the era.

The scene where Sivagami renounces her love and offers her divine art form at the feet of the Lord. Tears in her eyes, she dances to the hymn... "Munnam Avanudaya naamam Kettal....".

Such poignancy in a pompous narration...Only Kalki could pull it off

A long gap...so started a new blog

I have always had a fascination for vintage voices, M K Thyagaraja Bhagavathar, K B Sundarambal, Dandapani Desikar, Madurai Somu, Rafi, Saigal et al

What makes their music extra effective might be the sathyam , or vocal honesty displayed by them in singing each and every note. The honeyed endowments of MKT and Rafi add shine to the output. So much so, after listening to one of those songs which also have tasteful orchestration to boot, it lingers for quite some time in one's mind. Such is the emotional quality of vintage music.

My favs are Ennudal Thanil (Yadukulakambhoji , Atana), Annayum Thandayum (Manolayam) of MKT, Ninaikkada Neramillai (rageshree) of Somu, Vazhimaraithirukkkude (thodi)of Desikar and the viruthams of KBS(what a saveri!).

I sign off by saying...I missed you all these days, and would love to interact more in future on varied topics. I invite your responses and would love to be enlightened by them.